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“Do You Want to Be My Helper

Family Education Eric Jones 7 views

“Do You Want to Be My Helper?”: Fun Confidence-Building Activities I Do With My 7-Year-Old Niece

My niece Maya was sitting at the kitchen table, staring at a paper plate, a pipe cleaner, and three googly eyes that I had optimistically arranged in front of her. I had big plans for a craft project. She had big plans for watching Spirit: Stallion of the Cimarron for the fourth time that week. The craft lasted about four minutes before she pushed the plate aside and said, “This is boring. Can we do something real?”

I remember feeling a little deflated. I had pinned a dozen Pinterest activities the night before—paper bag puppets, DIY stamps, a “rainbow in a jar” science experiment. All of them required adult setup, careful clean-up, and a level of fine motor patience that a tired seven-year-old on a Saturday afternoon simply does not have. I was about to suggest a movie when she added, “Can we build a fort?”

That, I could do.

We dragged every cushion off the couch, grabbed two dining chairs, and threw a bedsheet over the whole messy structure. Maya crawled inside and announced that this was her “headquarters.” Then she invited—no, ordered—me to deliver snacks through the “secret tunnel” (a gap between the chair legs). For the next hour, I was a delivery driver, then a monster attacking the fort, then an audience for her dramatic reenactment of a scene from Spirit involving a lot of defiant horse neighing.

It wasn’t complicated. But that fort did more for her confidence than any carefully planned craft.

Here is what I’ve noticed after dozens of afternoons like this one. When adults over-structure activities, kids can sense what’s supposed to happen. There is a correct way to glue the googly eyes, a right way to stamp the paper, a “good” outcome that hangs over the whole endeavor. That pressure is heavy for a seven-year-old. But when the activity is open-ended and slightly ridiculous, the stakes disappear. A fort is not done well or badly. It is just a fort. And inside that un-judged space, Maya gets to be the boss.

That last part matters more than I initially realized. A lot of confidence-building advice focuses on praise. “Great job!” “You’re so smart!” But at age seven, kids are developing something called self-efficacy: the sense that their own actions can produce real results. They don’t get that from hearing adults clap. They get that from causing things to happen. So I try to design activities that hand her the steering wheel—even a tiny one.

One rainy day, we played “restaurant.” I sat on the couch with a little notebook and told her I was a customer. She ran to the kitchen and came back with a plastic tray. On it were very small pieces of a banana on a paper towel, a cup of water with a bendy straw, and one goldfish cracker balanced on the edge of a plate. “Chef,” she said, “do you have any questions?” I asked for a napkin. She squinted at me like I had just demanded a legal settlement, then said, “You have a sleeve.”

We both laughed so hard she nearly dropped the tray.

This is the part I have learned to love about unstructured play. The child leads, the adult follows. Following does not mean passive. It means that you become the kind of scene partner who gives a little push—you ask a question, you mime a door, you pretend to be confused by everything she says—but you never take over. When Maya chose to be the restaurant manager, I didn’t say, “Actually, real waitresses carry the tray with one hand.” I played along. For her, that experience of directing an adult who actually listens is pure confidence fuel.

Another activity that has become a regular request is what she calls “My Store.” Maya arranges random household objects on our coffee table—a hairbrush, three seashells, an unopened box of macaroni, my phone charger—and prices them with sticky notes. I get given a stack of index cards as “money.” She plays cashier and also owns the store and sometimes fires the cashier (also her) and then rehires her. The rules are ever-changing, opaque, and entirely hers. I just have to stand there with my index-card wallet and ask, “Is this a good deal? Can you tell me more about this shell?” She gets to explain, negotiate, and decide. Every single time, she walks away a little taller.

There is also physical risk, which at seven is a quiet engine of confidence. Nothing I plan for her is dangerous—no parkour or fire-starting—but small physical challenges do incredible things for how a child sees herself. Maya loves to balance on the edge of a curb with her arms out. When she wobbles, she gets angry at herself. I hold back from grabbing her unless she actually asks. She usually doesn’t. She steadies herself, looks at me, and says, “Did you see that?” Yes, I saw it. And so did she. That moment of noticing her own capability is more powerful than any sticker chart.

What I have stopped doing is over-praising. I used to say “Wow, you’re so good at that!” constantly. It felt supportive in the moment, but it was actually training her to look at my face for approval. Now I say things like, “You figured that out,” “That took a lot of patience,” and “You decided to try it a different way.” I am not using fancy language; I’m just narrating what I actually saw her do. Maya doesn’t light up the same way. But she does something better. She continues the activity, experimenting, making small mistakes, correcting course. That quiet persistence is the real tell.

I also try to let her experience small disappointments without immediately fixing them. This is hard for me. If she is building a tower and it collapses, my instinct is to rebuild it with her, to model the “correct” structure. But what she actually needs is to sit with the collapse and decide what to do next. Sometimes she abandons it and goes to do something else. That’s fine. Sometimes she gets frustrated and says mean things about the blocks. Also fine. And sometimes she tilts the base, spreads the blocks differently, and builds something half the size but sturdier. In that last case, I say, “You solved the wobble problem.” She nods like she already knew. Because she did.

This is not to say everything I try works. A few weeks ago, I attempted a “talent show” afternoon. I envisioned Maya proudly demonstrating the cartwheel she’s been practicing. Instead, she refused to perform, called the show “stupid,” and retreated to the fort she had built in her bedroom. I felt a familiar squeeze of failure—the sense that I had somehow missed the moment, pushed too hard, handed her the wrong script. I sat nearby and said nothing. Eventually, she peeked her head out and asked me to be her “audience” while she made up a dance that involved a lot of stomping and one dramatic leap onto a pillow. I did not ask for clarification. I was just present.

That day reminded me of the underlying rule I keep relearning: confidence at this age cannot be summoned or performed on cue. It emerges when a child feels safe and free. My job is not to manufacture a proud moment. My job is to lower the pressure, take the script out of my own hand, and show up as the kind of adult who makes the space feel like a playground instead of a stage.

Will all of it last? I don’t know. Maya is not one type of child. Some weekends she is relentlessly confident; other weekends she wants to sit on my lap and tell me she can’t do anything right. Both are real. Both are allowed.

Tonight, we are planning to make “fancy soup” in the kitchen, which means she will dump an alarming amount of black pepper into a pot of tomato soup and declare it a masterpiece. I will taste it. I will probably cough. And then we will eat it with grilled cheese, and she will casually mention that next year she wants to open her own restaurant “but only on Tuesdays.” I believe her.

I do not know what tomorrow will ask of us. But I know that the fort pillows need to be returned to the couch eventually. And I know I will be holding them for a little while longer.

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